Does anybody else out there talk to the telly while watching it?
Scully and Mulder are investigating a seemingly empty stronghold of the Secret US Government Conspiracy. They go through a door into a dark building, but leave it open behind them – as much as to say to the murderous paramilitaries that the government employs to protect these places – ‘We’re in here!’
So naturally I say ‘Close the door behind you Scully, or the goons with submachine guns will get you!’
And sure enough, in rush the gun-laden goons, shooting everywhere. But miraculously, again, they don’t manage to hit our two heros, who escape – again – but without any evidence of the murderous conspiracy – again.
Doctor Who is walking through a storeroom of mannequins and stops to examine something. Obviously, one of the mannequins is going to come to life and attack him, but he doesn’t think of that, so engrossed is he in what he is examining. So, as a mannequin comes to life and starts to sneak up on the Doctor, I helpfully call out:
‘Look behind you!’
Which he does, not soon enough to avoid being grabbed, but soon enough to wriggle out of the predator’s grasp and run away.
I can think of plenty of other examples, but not closing doors behind you and not putting your back to the wall when you’re in a dangerous place are the two ones that incite me the most.
Then there’s the one where key characters in a show, that are supposed to engage the watcher’s sympathies, make a trademark practice of buying coffee in single-use, non-recyclable cups, walk along with them chatting to each other but not drinking, and then throw the apparently full cup in a bin. Yes it might be worse if they threw it on the ground, but not by much! So I expostulate:
‘Buy a Keep-cup* Lorelei, ya environmental vandal!’
*Reusable coffee cup. Probably TM like hoovers and biros and band-aids and xeroxes.
And the one where somebody says something that they don’t realise is upsetting for another person. Like when person A says to person B, who had believed an as-yet unacknowledged romantic bond was beginning to develop between them, ‘I never thought I could have a best mate that was a girl’.
So I helpfully inform him ‘She doesn’t want to be that sort of a mate, you blind poltroon!’
Do you do that too? Perhaps only when there is nobody else around? Or do you do it regardless? Or are you one of those people that bottles up their fears, irritations and sympathies vis à vis the characters and keeps them inside?
I like talking to TV characters. It makes me feel like I have a relationship with them. A self-help guru might say I should concentrate on relationships with real people, but I think you can do both. And I don’t know any real people that are time lords or government conspiracy uncoverers. Sadly, I do know plenty of people that waste our resources and exacerbate the landfill problem by drinking coffee in non-reusable cups, but they seem immune to my hints that there is a better solution.
I have quite enjoyed watching telly recently. Perhaps it’s because the future of the world looks so black with the continuing rise of neo-fascism and the determination of governments of large, wealthy, ex-British colonies to do as little as possible to address the climate crisis (New Zealand being an honourable exception). There’s reading of course, but in my continuing attempts to get better at foreign languages, most of that is not in English, so it’s hard work. Which makes it so relaxing to just plonk on the couch for a while after work, in front of a silly, simple, comedy or drama that asks nothing of me but my attention (But NOT a reality TV show! My loathing of them is a whole ‘nother subject entirely!).
In days of yore, telly was seen by some as a brain-sapping, eye-damaging scourge. “it’ll give you square eyes!” was what my parents warned. Fortunately, I didn’t watch a great deal of telly when young, so my eyes are still approximately oval-shaped. My opthalmologist, with her specialised equipment, was able to advise me that there is a small amount of right-angling at the edges of two of my eyes, but it’s less than the average for people born in the TV era, so nothing to be concerned about.
These days it’s the internet, especially social media, that parents are worried about their children spending too much time on. Television is seen as relatively benign. Perhaps because it’s now old enough to be trusted. Or perhaps because watching telly, unlike staring at a computer screen, can be a social activity. Like in the old days of Victorian and Elizabethan theatre, we can hiss at the baddies and cheer (or warn) the goodies, lament the misfortunes, discuss what the real explanation of the mystery may be, or what the protagonist should have done when confronted with that Terrible Dilemma.
With the internet, everybody in a room can be sitting staring at their own little screen. They might as well be a million miles from the people around them. But with telly, the people in the room are watching it together, no matter how bad it is.
Is that a good thing?
Bondi Junction, October 2019
I’ve had a few thoughts and discussions since I wrote this article about drawing stars. I thought it was worth sharing.
Stars within stars
The first observation is that stars, drawn in the way I described, contain other stars, nested within one another like a set of Russian dolls. Recall that we use the term ‘n-k star‘ to indicate a star with n points such that, if we draw a circle through all the points and consider the boundary of that circle as split up into n curve segments bounded by the points, then the straight line from one point to another traverses k of those curve segments. Like this, for a 7-3 star:
Yuriy made an interesting observation about the stars in my last article, that the sum of the angles of all the points of an n-k star is 180∘ × (n-2k). In the course of thinking of ways to prove that formula true, I came upon the realisation that a n-k star contains a n-(k-1)star, which contains a n-(k-2) star and so on down to the n-1 star, which is a regular, n-sided polygon.
Here’s a picture that shows this for an 11-5 star.
The red, outer 11-5 star contains a green 11-4 star, which contains a red 11-3 star, which contains a green 11-2 star, which contains a red 11-1 star (polygon). The points of each inner star are the innermost vertices of the star that immediately contains it. Since we will be referring to those vertices again later, let’s make up a name for them. We’ll call such a vertex a ‘tniop‘, since it is in a sense the opposite of a point. The above diagram shows a point and a tniop. We’ll call the stars inside a star ‘sub-stars‘.
We saw in my last essay that, when a star cannot be drawn without taking the pencil off the paper, it is made of a number of ‘component stars’, that are rotated copies of one another. Here is a picture of a 16-6 star, which uses different colours to highlight the two component stars. We have two 8-3 stars, one light blue and one red.
And here is a picture that uses colour variation to show the sub-stars of each of the two components.
The 8-3 light blue star contains an 8-2 star which is made up of two components that are 4-1 stars (also known as ‘squares’) coloured blue and pink. Similarly, the 8-3 red star contains an 8-2 star which is made up of two components that are 4-1 stars (also known as ‘squares’) coloured yellow and green.
The 8-2 stars each contain an 8-1 star (octagon) as the intersection of two squares -pink and dark blue for one octagon and yellow and green for the other.
Finally, those two octagons between them, bound a hexadecagon (16-sided polygon or 16-1 star). So altogether, in the one picture, we have:
- one 16-6 star (red and light blue)
- one 16-5 star (also red and light blue) inside that
- one 16-4 star (pink, green, dark blue and yellow) inside that
- one 16-3 star (also pink, green, dark blue and yellow) inside that
- one 16-2 star (also pink, green, dark blue and yellow) inside that
- one 16-1 star (also pink, green, dark blue and yellow) inside that
- two 8-3 stars (one red, one blue) making up the 16-6 star
- two 8-2 stars (one pink and dark blue, one yellow and green), one inside each of the 8-3 stars
- two 8-1 stars (octagon: one pink and dark blue, one yellow and green), one inside each of the 8-2 stars
- four 4-1 stars (squares: coloured pink, dark blue, yellow and green) which, in pairs, make up the 8-2 stars.
That’s sixteen stars altogether. What a lot of stars in one drawing! Can you see them all?
Here’s a different colouring that makes it easy to see all five 16-point stars:
Although the stars get smaller as k reduces, they do not shrink away to nearly nothing. In fact they get closer together as they go inwards, as if they are asymptotically approaching a circle of some fixed, minimum size.
To investigate this, I drew a 101-50 star:
You’ve probably noticed by now that I’m no longer drawing these by hand. My drawing is much too wobbly to capture the intricacies of stars-within-stars. So I wrote a computer program to draw them for me. I’ll try to remember to attach it at the end of the article, so that those of you who like mucking about with computers can muck about with it.
Anyway, that 101-50 star pretty well killed my hypothesis that the inner stars can’t get very small. In this one they almost disappear out of sight. I like the swirly patterns. I haven’t yet worked out whether they are really features of this very spiky, very complex, star, or whether they are just artefacts of the crudeness introduced by the computer’s need to pixillate.
Here’s a zoomed-in image of the interior of that star. Cool, eh?
This is a low-resolution image. I have saved a moderately high-resolution image of this star here. Zooming in and out is fun. It seems almost fractal as more patterns emerge from the inside when we zoom in. Also, the stars give the illusion that they are rotating as we zoom. To get the best effect you need to download the file (a .png image file) and then open it up, so that zooming is not limited by your internet connection’s speed.
Ratio of Outer to Inner radius
Let me briefly pick up on that idea above about whether there is some minimum inner radius for these stars. For each n, the spikiest n-k star is where k is the largest integer less than n/2, and this contains another k-1 stars, nested one within the other, down to the innermost, which is a n-sided regular polygon. We can work out the ratios of each star to the one immediately inside it, and use that to work out the ratio of the outermost, n-k, star, to the innermost, n-1, star. The attached computer program contains trigonometric formulas to do that. Here are the ratios of the radii of the innermost to the outermost star for each n from 1 to 109:
We observe that the ratios generally go down as n increases, but the decline is not steady. It bumps up and down. I have highlighted the prime numbers with asterisks. Notice how the ratio for those is always lower than for the numbers around them. The two drivers of the ratio seem to be:
- the size of n: the ratio generally declines as n increases; and
- the number of different factors n has. Note how 16 (divisible by 2, 4, 8) has a higher ratio than 15 (divisible by 3, 5) and 56 (divisible by 2, 4, 7, 8, 14) has a higher ratio than 55 (divisible by 5, 11).
This would be interesting to look into further, and to see if there is some neat, sweet, compact formula for the ratio that highlights the relationship to size and number of factors (if there really is one). But I have to stop thinking about that now or I’ll never post this essay.
The most general form of symmetrical stars
We can make an awful lot of stars using the above approach. For an integer n the number of different n-pointed stars is the biggest integer less than n/2.
But in fact there is an infinite number of different n-pointed stars, without having to loosen our standards by allowing asymmetry. After a bit of thought, I realised that the most general form of n-pointed star can be specified by a single number, which is the ratio of its inner radius to its outer radius. The outer radius is the radius of the circle on which the points sit. The inner radius is the radius of the circle on which all the tniops sit. Given n and that ratio – call it θ, we can draw a star as follows:
- Draw two concentric circles with ratio of the inner to the outer radius being θ.
- Mark n equally-spaced dots around the outer circle and draw faint lines connecting each of these to the centre. These will be the points of our star.
- Mark a dot on the inner circle halfway between each of the faint, radial lines drawn in the previous step. These dots will the the tniops of our star.
- Working consistently in one direction around the circle, draw a zig-zag line fro point to tniop to point to tniop and so on, always connecting to the nearest dot.
We will describe such a star as a n/θ star. We use a slash rather than a dash in order not to mix it up with the former type of star. Here is a sequence of six-point stars, with the ratio of the inner to outer radius going from 0.2 up to 0.8:
It is nice that this gives us more options for stars – infinitely many different kinds of star for each n in fact. But they are not as much fun to draw as the n-k stars, and it is harder to make them come out right without geometric instruments – which rules them out as an effective doodling pastime.
Note how, unlike with the n-k stars, the line leading away from a point does not intersect any other point. Nor do we get any inner stars for free. The price of gaining more variety is a loss of structure. The inner structure of a n-k star provides a great richness by enforcing all sorts of relationships between the vertices.
Only very specific values of the radius ratio θ give us n-k stars. I worked out the formula for the ratio by the way, with a bit of trigonometry. The ratio of the tniop radius to the point radius for a n-k star is:
2 sin(π(k-1)/n) sin(πk/n) sin(π(1-(2k-1)/n)) / (sin(2π/2)+sin(π(1-(2k-1)/n)) )
– sin(π((2k-1)/n – ½) )
For a n/θ star, if there are no integers n and k that give values of that formula equal to θ, the star will not have the array of inner stars that a n-k star has.
Computer Program to draw pretty stars
This whole diversion started as an exercise in drawing stars by hand. But there’s a limit to how intricate those stars can get without getting too messy with smeared ink or graphite. For those that like to look at pretty, intricate geometrical pictures, here’s my computer program in R that can draw stars of any of the types discussed.
Sums of angles
For those that like mathematical proofs, there are outlines of proofs here of Yuriy’s observation about the sum of the internal angles at points of a n-k star.
Bondi Junction, April 2017
It has become apparent to me that the world needs another instalment in my series of suggestions for Adult Amusements. There have been complaints. Some are from pedants, who insist that a single monograph about standing on one leg does not constitute a series. Others, more gravely, have expressed concern about the occupational health and safety implications of people trying to balance on one leg while their mind is distracted by other things, like budgets, work-shopping and brain-storming, not to mention trying to be Pro-Active, Customer-focused, Agile, Continuously Improving and Outside the Box all at the same time.
So, belatedly, here it is. I hope that this will be considered less dangerous, being a mostly sedentary activity.
When in business meetings that do not hold us riveted with fascination, we should draw stars!
But not just any old stars. Special stars. Mathematical ones. Stars with prime numbers in them.
It is the dearest wish of every little child, after that of being a firefighter or an astronaut, to draw excellent stars in their pictures. But a wish is one thing, and its fulfilment is another. When as a child I tried to draw stars, the only technique I could think of was to draw a spiky circle. Start anywhere, and draw a perimeter that goes around an imaginary centre, that is a series of spikes. Maybe this works OK for others, but for me it typically produced a result like this (Figure 1):
It invariably goes wonky, because it’s hard to keep track of where the centre is supposed to be, and to make the points point away from that centre. Mine looks like a confused kookaburra.
When one gets a little bit older and more sophisticated, one learns – by instruction or by observation of others – the two standard techniques for drawing stars. These are the six-pointed star, which is made by drawing an upside-down triangle slightly above a right-way up one (Figure 2):
and the five-pointed Pentacle, which requires a little more coordination, but can be done without taking the pencil off the paper (which I call a ‘single pencil stroke’), by following the arrows as shown (Figure 3):
Learning to draw either of these stars is on a par with learning to ride a bike, in terms of the sense of achievement, wonder and progress. All of a sudden, one can construct an image of symmetry and elegance with the stroke of a pencil – or two strokes, in the case of the six-pointer.
I was very happy with this advance in technology for a long time, but then came the day when I hankered after drawing more bristly stars, with seven, ten or twelve points. I tried, but found I was just reverting back to the method of figure 1, and my bent stars just did not satisfy me.
One could of course take out a protractor and compass and, with a bit of preliminary calculation, measure out the exact angles needed for each point, and draw the star using that. But firstly that’s cheating, and against the Spirit of Doodling, and second it might cause others to notice that one is not paying attention to whatever the meeting is discussing.
I thought I was destined to be forever that object of public ridicule – the man with the two-star repertoire. But just as I was starting to come to terms with this being my fate, a discovery came to me in a blinding flash: instead of trying to draw spikes in a circle, I needed to generalise the methods used for the five and six-pointer. Well, to cut a long story short, I tried that, it worked, and now I can draw stars with any number of points up to about fifty.
Here is the method that generalises the way we draw five-pointed stars:
Drawing a star with a single pencil stroke
- Step 1: pick the number of points N, and draw that number of points, as evenly spaced as you can, around the perimeter of an imaginary circle. If there is a large number of points it’s best to first draw points at the 12, 3, 6 and 9 o’clock locations and then put one quarter of the remaining points into each of the four quadrants. To be precise, divide N by 4 to get a quotient Q and a remainder R. Then draw Q points in each of R quadrants of the circle, and Q-1 points in the other quadrants. Ideally, if R=2, adjacent quadrants should not contain the same number of points, but it doesn’t matter very much if that is forgotten.
- Step 2: pick a number K, greater than 1, that has no common factors with N. To make the spikiest possible star (ie with the thinnest spikes), choose K as the largest whole number less than N/2 that has no common factors with N. For instance if N=12 that number is 5. If N=13 it is 6. If N=6, 4 or 3 there is no possible K, and this method cannot be used. I’m pretty sure that, for any N greater than 6, there is at least one K for which this method will work, but I have not proved that yet.
- Step 3, choose your favourite direction in which you want to draw. Unless you are a pan-dimensional creature drawing on paper with three or more dimensions, your only possible choices are clockwise or anti-clockwise.
- Step 4 starting at any point, draw a straight line from that point to the point that is K steps away from it, hopping from point to point around the circumference in the chosen direction. We can call K the ‘side length’, since it is the length of the line that connects one point to another.
- Step 5: repeat step 4 until you get back to the starting point.
If this process is executed carefully, you will have drawn a star that has a point at every one of the points you drew in step 1. And, if you want, you can do all the actual line drawing in steps 4 and 5 without ever taking your pencil off the paper.
Here is a depiction of that process for an eleven-pointed star with side length 5:
And here is a depiction of this process for a sixteen-pointed star with side length 5:
Why do we not allow the side length K to be 1? That’s because if we do that, we just get a N-sided shape which, ignoring any irregularities in our drawing, is a regular polygon, like this, for N=12 (a ‘dodecagon’):
Now the thing about stars is that they are not convex, while regular polygons are. Using the word ‘vertex’ for a place where two edges of a shape meet, an N-pointed star has 2N vertices, of which N are points – the outermost part of a peninsula (if we imagine the shape as an island in an ocean) and the other N are the innermost part of a bay. As we go around the vertices of a star they alternate between inlet and bay. So a regular polygon is not a star because it has no bays, and that’s why K must be more than 1.
Stars with more than one pencil stroke
We observed that the above method does not work for N=6. But we know we can draw a six-pointed star, using two pencil strokes to draw two overlapping triangles. We can use the approach taken there to invent many more stars. In fact, for an N-pointed star there are M different types we can draw, where M is (N+1)/2-2, rounded down to a whole number. Each of these shapes corresponds to using a different value of K, from 2 up to the biggest whole number below N/2.
Here is how we do it:
- Step 1, for picking N and drawing the points around an imaginary circle, is the same as above.
- Step 2. We pick any K as any whole number greater than 1 and less than N/2.
- Do steps 4 and 5 from above. This will draw a shape that is either a star or a polygon. Now comes the tricky bit.
If the shape you drew has not touched all the N points around the circle, repeat the process starting on a point that has not been touched yet. I like doing this with a different colour pencil, as it helps me see the pattern and avoid getting confused.
Repeat that process, using a different colour pencil each time, until all points have been touched.
You will now have a N-pointed star, made up of a number of identical overlapping shapes, which are either all polygons or all stars.
For those that like mathsy stuff, the number of overlapping shapes – the number of pencil strokes required – will be the greatest common factor of N and K. It’s fun to try to work out why that is.
The traditional six-pointed star in figure 2 above is what you get under this method when you use N=6 and K=2. Here are a couple of others:
If we are going to draw a lot of different stars, we need names for them. We could call the star drawn with N points and side length K a ‘N-K star’, so that the pentacle is a 5-2 star and the traditional six-pointer is a 6-2 star.
If we wanted to, where N is even, we could let K be N/2. What we get then is this sort of thing:
The shape we have drawn with each pencil stroke is a single line between a point and the point directly opposite it. Strictly speaking, this too is a star, but I mostly leave it out because it’s not as interesting as the others because (1) everybody knows how to draw a star like that; (2) as any five-year old would tell us, that’s not what stars look like in pictures of things in the night; and (3) it has no inside, so we can’t colour it in all yellow (well, actually the one I drew has a tiny little inside in the middle, because it’s not perfectly symmetrical. But a more accurate drawing would have all the lines going exactly through the middle of the circle, so that there’s no inside at all).
So now you know how to do lots of great stars. You need never be bored in a meeting again. Imagine if you started drawing all the possible stars, starting at the smallest number of points and going up in side-lengths and points until the meeting finished. Leaving out the too-easy ‘thin stars’, you would draw the following stars:
5-2, 6-2, 7-2, 7-3, 8-2, 8-3, 9-2, 9-3, 9-4, 10-2, 10-3, 10-4, 11-2, 11-3, 11-4, 11-5, 12-2, and so on.
Just drawing those, given a due amount of tongue-stuck-into-side-of-mouth-concentration, should be enough to get you through at least a half hour of Death By Powerpoint.
But let’s not forget our roots. With a very few exceptions, we all started off drawing stars like Figure 1. There is a touching ingenuousness about such stars, and I think it’s good to draw them as well. Often really interesting shapes arise when we do, looking like monsters or funny animals. And one good thing about that way is that you don’t have to decide how many points it will have before you begin. You just draw spikes around a circle until you get back to the start. I’ll sign off by doing that for a star with LOTS of points (it ended up being 21), and following it up by a series of the nine different stars with the same number of points drawn by the above method.
I think that each has a certain appeal, in a different way.