One bright winter Thursday, in my last years of high school, I went for a bike ride in the morning. Thirty kilometres, quite hard, with plenty of hills. I didn’t have to go to school until 11 o’clock because I had a double free period. After arriving home and having a shower I went into the lounge room, put on a record – Schumann’s piano concerto – and made myself a cup of instant coffee (this was long before the days of personal espresso machines, not that my parents could have afforded one anyway).
The lounge room had a large window into which the sun was streaming, and outside I could see the nearby gum trees and the far off blue-green hills. My leg muscles had that pleasant, achey feel that tells of a hard job, well-done, and I felt very relaxed – full of endorphins perhaps.
It was the first time I had fully realised how marvellous Schumann’s piano concerto is. It has great swelling surges and a captivating momentum, especially in the last movement. It is deeply romantic in its expressivity, yet has a classical sense of drive and purpose. I had read not long before someone’s opinion that Schumann was only really a “miniaturist”, writing well for solo piano or accompanied singer, but that his attempts at large orchestral works were failures. “How wrong that critic is!” I thought as I thrilled to the surges and rhythms of the orchestra and the piano in response. Relishing the music, relishing the warm sunlight (on a chilly but bright winter’s day), relishing the coffee, relishing the gentle, worthy ache of my quads. Relishing the fact that I, a mere schoolboy at an undistinguished Catholic school, was free until 11 o’clock, and that the ride to school was mostly downhill.
This, I thought, is an excellent experience. I must remember this.
And I have. More than thirty years later, the sounds of that Schumann concerto still transport me back to that sunny lounge room.
Last week I had another great experience. I was just riding along a bush-lined path next to the airport. I had been feeling a little seedy earlier but now, after about half an hour on the bike, I was warmed up and felt a harmonious unity with nature as I swooped around corners and over dips and bumps. I am dancing Nataraja, dancing the cosmic dance that is the universe.
I doubt I’ll remember last week in thirty years, should this body last that long. I’ve already forgotten key elements – there was more to the feeling of well-being than I can remember even at this short interval. Perhaps I need a musical accompaniment, a taste or a smell, to really fix something in my memory.
My life contains these rare moments when there is a feeling of tremendous well-being. There are many more moments of dullness, routine, embarrassment, discomfort, sadness, fear and anger, as well as plenty of feelings on the positive side – relief, comfort, amusement, intellectual stimulation, success, kinship, love – that are appreciated, but not remembered for a lifetime.
People sometimes talk of wishing to “bottle” a special moment, to make it last. I can’t make it last, and I realise that trying to do so would be counter-productive. Clinging destroys the beauty and pleasure of the moment. In fact, part of the reason why such moments are so special is that they are different from the everyday. They are precious because they are rare of occurrence and finite of duration. But we can preserve all of the moment that is worth preserving by fixing it in our memory. We can write it down, or just set some mental markers to make it easy to recall. The Schumann and the coffee are the markers for my marvellous Thursday in 1979.
Each life is a work of art, a pattern, a dance, a song, a tapestry, and each individual is the creator of their own artwork. The artworks of all the different individuals mingle to make a grand panoply of colour and movement. We can make decisions and perform actions that enrich our own art work and those of others as well. Works of art need contrasts: highs and lows, louds and softs, fast bits and slow, pastels and primary colours, rough and smooth textures. If we can internalise the understanding of that sufficiently well then perhaps we will appreciate times of sadness, fear or pain as well as times of pleasure.
So I will pay more attention to the feelings that life arouses. If they are negative, I will try to view them as interesting, curious anomalies, phenomena to be studied. If they are positive I may do that too, but I will also try to make mental bookmarks to be able to recall them later on. Perhaps at times of great sadness it will be helpful to view the strife in the context of past joys, to reclaim, at least in part, the feeling of aesthetic necessity of such times as part of the grand pageant that this life is.
Perhaps it’s even worth mentally bookmarking some negative times for later reference. That may enhance the enjoyment of the positive ones, as well as assisting the holistic perspective. I can think of some past experiences of fear, pain (physical and emotional) and embarrassment on which I can look back quite equably now, perhaps even fondly.
But I’ll not pretend that I don’t enjoy the good experiences more. I do. Even one of those experiences is enough to justify this life. I have been very fortunate. I hope that everybody can have at least one experience like my Schumann moment before they die.
Friedrich Holderlin’s marvellous poem “To the parcae” expresses this rather well:
Grant me but one good summer, you Powerful Ones!
And but one autumn, ripening for my song,
So that my heart, fulfilled by sweet play,
Might the more willingly die, contented.
once I lived as the gods live, and more we don’t need.
A postscript. It’s not just about the bike. The two positive experiences I relate above involve bikes, but that’s not always the case. Many involve exercise, it’s true. I can remember running around Centennial Park on a sunny winter morning about twenty years ago (there’s something about sunny winter mornings that seems particularly conducive to well-being), watching the fence fly past me and thinking “I’m running so fast, and I can’t even feel my feet touch the ground!”. There are also wonderful, memorable moments involving one’s children or spouse. I have less of them though. I think the mind is too distracted during the years of child-rearing, by tiredness, busyness and endless to-do lists, to be able to focus well enough to form sustainable coherent memories. But the rareness of memories of such moments makes them extra special.
Andrew Kirk. Bondi Junction, 3 May 2013